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"Virginia Woolf changed the landscape of fiction and challenged our notions of what it means to be human. This book explores the phenomenon of story as practiced by Woolf, interpreting her work in the context of literary Darwinism--a critical approach focusing on patterns of innate human behavior"--
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A collection of original essays establishing how wide the intellectual boundaries of narrative theory have becomeThe Edinburgh Companion to Contemporary Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. Attending to literary, digital, visual, cinematic, televisual, and aural forms of storytelling, this book brings founders of the field of post-classical narrative theory together with senior and emerging scholars.This is the first anthology to consider what narrative is and what it can do in the wake of various turns in literary studies which have been appearing in the context of digital media and algorithmic capital. From mind-centred and philosophical approaches to theories focusing on gender, race, and sexuality, the chapters touch on poetry, drama, digital games, podcasts, coding, speculative fiction, the law, medical narrative, oral storytelling, and comics as well as the more traditional areas of fiction, TV, and film. This is the future of narrative theory.Key Features:Includes popular culture genres (comics, video games, coding) not covered in depth in other companions to narrative theoryShowcases essays on narrative dimensions of law, medical ethics, linguistics, and philosophy as well as more obviously narrative genresAttention given to race, gender, sexuality distributed throughout the volume, not isolated in a single sectionNew essays by superstars in narrative theory (Phelan, McHale, Lanser, Richardson, Abbott, Currie) as well as other well respected and emerging scholars
Fiction --- Literary rhetorics --- Literary semiotics --- Narration --- Analyse du discours --- Storytelling in literature --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Narration. --- Analyse du discours. --- Storytelling in literature.
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The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the ""frame tale""-an inside-the-text storyteller telling a tale to an inside-the-text listener-with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a ""fra
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Christian pilgrims and pilgrimages in literature. --- Tales, Medieval --- Storytelling in literature. --- Rhetoric, Medieval. --- Christian pilgrims and pilgrimages in literature --- Storytelling in literature --- Rhetoric, Medieval --- English --- Languages & Literatures --- English Literature --- Medieval tales --- History and criticism. --- History and criticism --- Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Technique.
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English fiction --- Authors and readers --- Reader-response criticism --- Storytelling in literature. --- Point of view (Literature) --- Fiction --- Narration (Rhetoric) --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Readers and authors --- Authorship --- History and criticism. --- History. --- Technique --- British literature. --- Novelists, English. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- English novelists --- Storytelling in literature --- Canon (Literature)
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David Wright's new translation of The Canterbury Tales into modern verse--the first to appear in over thirty years--makes one of the greatest works of English literature accessible to all readers while preserving the wit and vivacity of Chaucer's original text.
Chaucer, Geoffrey, d. 1400. Canterbury tales. --- Christian pilgrims and pilgrimages in literature. --- Storytelling in literature. --- Tales, Medieval -- History and criticism. --- Christian pilgrims and pilgrimages --- English --- Languages & Literatures --- English Literature --- Pilgrims and pilgrimages, Christian --- Christian shrines --- Pilgrims and pilgrimages
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Oral tradition --- Storytelling in literature. --- American fiction --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- American literature --- White authors --- History and criticism. --- African American authors --- Tradition orale --- Littérature américaine --- Ethnicité --- Narration. --- Race caucasoïde. --- Auteurs noirs --- Histoire et critique. --- Dans la littérature.
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Narration (Rhetoric) --- Drama --- Dialogue. --- Discourse analysis, Literary. --- Storytelling in literature. --- Literary discourse analysis --- Rhetoric --- Literary style --- Dialog --- Dramaturgy --- Authorship --- Playwriting --- Narrative (Rhetoric) --- Narrative writing --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Technique.
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Women and literature --- Authors and readers --- Storytelling in literature. --- Reader-response criticism. --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Readers and authors --- Authorship --- History --- Brontë, Charlotte, --- Brontë, Charlotte --- Bolangte, Xialuodi, --- Bronte, Karlotta, --- Bronte, Sharlotta, --- Brontëová, Charlotte, --- Bŭrontʻe, Syarŭllotʻŭ, --- Douro, --- Pirāṇṭē, Cārlaṭṭi, --- Po-lang-tʻe, Hsia-lo-ti, --- Pŭrontʻe, Syarŭllotʻŭ, --- Tree, --- Бронте, Ш., --- Бронте, Шарлотта, --- Bellová, C., --- Bell, Currer, --- Wellesley, Charles Albert Florian, --- Gaskell, Elizabeth Cleghorn, --- Criticism and interpretation. --- Reader-response criticism --- Storytelling in literature --- Brontë, Charlotte,
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In Storytelling, Rodolphe Gasche reexamines the muteness of Holocaust survivors, that is, their inability to tell their stories. This phenomenon has not been explained up to now without reducing the violence of the events to which survivors were subjected, on the one hand, and diminishing the specific harm that has been done to them as human beings, on the other. Distinguishing storytelling from testifying and providing information, Gasche asserts that the utter senselessness of the violence inflicted upon them is what inhibited survivors from making sense of their experience in the form of tellable stories. In a series of readings of major theories of storytelling by three thinkers - Wilhelm Schapp, whose work will be a welcome discovery to many English-speaking audiences, Walter Benjamin, and Hannah Arendt - Gasche systematically assesses the consequences of the loss of the storyteling faculty, considered by some an inalienable possession of the human, both for the victims' humanity and for philosophy.
Storytelling --- Storytelling in literature. --- Holocaust, Jewish (1939-1945) --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Philosophy. --- Influence. --- Performance --- Schapp, Wilhelm, --- Benjamin, Walter, --- Arendt, Hannah, --- Blücher, Hannah Arendt, --- Bluecher, Hannah Arendt, --- Ārento, Hanna, --- Arendt, H. --- Arendt, Khanna, --- ארנדט, חנה --- アーレント, ハンナ, --- Benjamin, W. --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터, --- Storytelling in literature --- Philosophy --- Influence
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